Our History


St. John’s Timeline


In 1769, land was set aside by the Church of England on a site of the future St. John’s. By 1796, a foundation was laid for a two-story building measuring 42′ x 51′. Around 1804, the Church was near completion as bids were obtained for flooring, gallery, pulpit with canopy, and pine table.


After years of growth followed by years of financial problems, St. John’s was closed in 1831, sold and rented as a studio for the German sculptor Ferdinand Pettrich. (Read more here or download a short bio here.) In 1838, a group of young ladies from the parish raised $50 to buy back the church. A year later, improvements including a new organ, a new tower entrance and a brick wall topped with a fence on the north and west sides were accomplished. Enhancements continued in 1843, with the enlargement of the church and the addition of a basement lecture room and a baptismal font in the center front. Six years later, the parish commissioned plans for a new pulpit, began improvements to altar rails, added a reading desk, a communion table of black Egyptian marble, a replacement organ and a bell in the steeple.


In 1853, the church was reconfigured to increase chancel space. Two years later, a St. John's - Sanctuary Historic (B&W)baptismal font was placed in front of the first pews, and carpeting, new cushions, and
curtains were added. A major and much-needed enhancement occurred in 1865, as the Sunday School (Parish Hall) building was constructed. The year 1870 brought a major church renovation, of which the Washington Post noted, “nothing has been used of the old structure except the walls.” During construction, services were held at Georgetown Presbyterian Church. In 1875, the Rectory was completed and occupied.


In 1886, the organ and choir were relocated from the rear gallery to the front of the churchSt. John's - Chancel Historic (B&W). The side galleries were removed, a painting project was undertaken, and the baptistery of the carved oak reredos with an attached altar and removal of center Johannes Oertel painting, which was returned to the artist. Between 1888 and 1909, the center aisle mosaic floor, the mosaic floor in the chancel area, and the stained glass windows were installed.


The Tower-belfry redesign was accomplished in 1924, followed by the renovation of the Parish Hall, “decoration of church”, and installation of a previously used organ. Improvements between 1945 and 1949 were major, including the renovation of the rectory; the renovation, repair, and restoration of the church and Parish Hall; the altar was moved away from the reredos to allow clergy to face the congregation, and the choir was moved to the former baptistery. In 1951, the Vestry approved a campaign to fund the Chapel of the Carpenter, furnishing of the Addison Room, smooth stucco exterior, rectory improvements, carpet in Rector’s office and balcony, and new sub-floor for balcony. In a separate initiative during the year 1965, the organ was renovated.


In 1995, as part of the Bicentennial celebration, the Third Century Campaign was launched to repair and renovate many spaces: structural underpinnings of the sanctuary, second floor design for a new pre-school, the new atrium, a new choir room and offices on the lower level, and moving the Chapel of the Carpenter and Columbarium. The organ was repaired in 1998, followed by a major parish hall renovation in 2005 which created Blake Hall. During 2009, the focus was utilities, as the boiler was replaced, a dedicated air-conditioning system for the sanctuary and Blake Hall was installed. 


To accommodate the installation of the new pipe organ and to make crucial repairs and renovation in the kitchen and other areas of the church, the the parish embarked on a capital campaign. Much of the work has been accomplished.